{"id":11979,"date":"2021-06-21T15:00:00","date_gmt":"2021-06-21T13:00:00","guid":{"rendered":"https:\/\/italics.art\/?post_type=tip&#038;p=11979"},"modified":"2022-01-31T11:21:21","modified_gmt":"2022-01-31T10:21:21","slug":"saints-augustine-and-tryphon-in-campo-marzio","status":"publish","type":"tip","link":"https:\/\/italics.art\/en\/tip\/saints-augustine-and-tryphon-in-campo-marzio\/","title":{"rendered":"Saints Augustine and Tryphon in Campo Marzio"},"content":{"rendered":"\n<p>Between Via della Scrofa and Piazza delle Cinque Lune, the church of Sant&#8217;Agostino is a <a href=\"https:\/\/www.soprintendenzaspecialeroma.it\/schede\/basilica-di-sant-agostino-in-campo-marzio_3119\/\" target=\"_blank\" rel=\"noreferrer noopener\">small gem dating from the late 15th century<\/a>. Fifteenth-century Rome, certainly less sumptuous and well-known than the city designed by the Popes over the next two centuries, is present mainly in the Campo Marzio district and the neighboring Parione and Ponte.  <\/p>\n\n\n\n<p>The church is famous, above all, for Caravaggio&#8217;s painting of the <em>Madonna di Loreto<\/em> or <em>Madonna dei Pellegrini<\/em>, for which Merisi used a well-known high-class courtesan (Maddalena Antognetti) as a model, in contravention of the Council of Trent&#8217;s ban on &#8220;all the lasciviousness of an impudent beauty of sacred figures.&#8221; The beauty of this Madonna lies precisely in her showing herself as having an (all too!) human nature, of a social class equivalent to that of the two pilgrims kneeling in front of her.    <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Magazzino-TIP-LIBERO_Low-1007x1024.jpg\" alt=\"\" class=\"wp-image-11925\" width=\"504\" height=\"512\" srcset=\"https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Magazzino-TIP-LIBERO_Low-1007x1024.jpg 1007w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Magazzino-TIP-LIBERO_Low-295x300.jpg 295w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Magazzino-TIP-LIBERO_Low-148x150.jpg 148w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Magazzino-TIP-LIBERO_Low-768x781.jpg 768w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><figcaption>Detail of Madonna dei Pellegrini by Caravaggio, 1604-6, Church of Sant&#8217;Agostino in Campo Marzio, Rome<\/figcaption><\/figure><\/div>\n\n\n\n<p>The pose is a delicate homage to classical sculpture, in particular, to the <em>Thusnelda<\/em> (or <em>Barbarian Prisoner<\/em>) of the Roman period, today seen in the Loggia dei Lanzi in Florence, but which at the time of Caravaggio was found in the Villa Medici, where the painter was probably able to observe it close up.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13-461x1024.jpeg\" alt=\"\" class=\"wp-image-11938\" width=\"231\" height=\"512\" srcset=\"https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13-461x1024.jpeg 461w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13-135x300.jpeg 135w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13-68x150.jpeg 68w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13-768x1707.jpeg 768w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13-691x1536.jpeg 691w, https:\/\/italics.art\/wp-content\/uploads\/2021\/05\/Thusnelda_Loggia_dei_Lanzi_2005_09_13.jpeg 815w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><figcaption><em>Thusnelda<\/em>, Loggia dei Lanzi, piazza della Signoria, Florence<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Between Via della Scrofa and Piazza delle Cinque Lune, the church of Sant&#8217;Agostino is a small gem dating from the late 15th century. Fifteenth-century Rome, certainly less sumptuous and well-known than the city designed by the Popes over the next two centuries, is present mainly in the Campo Marzio district and the neighboring Parione and &hellip;<\/p>\n","protected":false},"author":3,"featured_media":11935,"template":"","categories":[97],"tags":[543,135,382,529,134],"class_list":["post-11979","tip","type-tip","status-publish","has-post-thumbnail","hentry","category-art","tag-baroque","tag-lazio-en","tag-religious-architecture-en","tag-renaissance","tag-rome-en","gallerist-gabriele-gaspari-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Saints Augustine and Tryphon in Campo Marzio - Italics Art and Landscape<\/title>\n<meta name=\"description\" content=\"The church of Sant&#039;Agostino is a small gem dating from the late 15th century, between Via della Scrofa and Piazza delle Cinque Lune in Rome.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/italics.art\/en\/tip\/saints-augustine-and-tryphon-in-campo-marzio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saints Augustine and Tryphon in Campo Marzio - 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