{"id":14352,"date":"2021-10-22T15:32:12","date_gmt":"2021-10-22T13:32:12","guid":{"rendered":"https:\/\/italics.art\/?page_id=14352"},"modified":"2024-06-07T12:41:26","modified_gmt":"2024-06-07T10:41:26","slug":"panorama-procida","status":"publish","type":"page","link":"https:\/\/italics.art\/zh-hans\/panorama\/panorama-procida\/","title":{"rendered":"Panorama Procida"},"content":{"rendered":"\n
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ITALICS<\/em>\u827a\u672f\u9879\u76ee<\/h4>\n\n\n\n

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PANORAMA\u591a\u573a\u5730\u5c55\u89c8 \u7b56\u5c55\u4eba\uff1a <\/h2>\n\n\n\n

\u6587\u7434\u4f50\u00b7\u8d1d\u5229\u65af\uff08Vincenzo de Bellis\uff09<\/h2>\n\n\n\n

2021\u5e749\u67082-5\u65e5 \u666e\u7f57\u5947\u8fbe\uff08Procida\uff09<\/h2>\n\n\n\n

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ITALICS<\/em> \u9686\u91cd\u63a8\u51fa\u5176\u9996\u4e2a\u827a\u672f\u9879\u76ee\uff1aPANORAMA<\/em>\uff0c\u8fd9\u662f\u4e00\u4e2a\u4ece2021\u5e749\u67082\u65e5\u661f\u671f\u56db\u81f35\u65e5\u661f\u671f\u65e5 \u5728\u666e\u7f57\u5947\u8fbe\u5c9b\uff08\u90a3\u4e0d\u52d2\u65af\uff09\u4e3e\u529e\u7684\u591a\u573a\u5730\u5c55\u89c8\uff0c\u7531\u660e\u5c3c\u82cf\u8fbe\u5dde\u6c83\u514b\u827a\u672f\u4e2d\u5fc3\uff08Walker Art Center\uff09\u526f\u603b\u76d1\u517c\u7b56\u5c55\u4eba\u6587\u7434\u4f50\u00b7\u8d1d\u5229\u65af\u7b56\u5212\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n

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Daniel Buren, Around an exhibition, work in situ for Italics, Procida, Italics d\u2019Oro 2021\n<\/figcaption><\/figure>\n<\/div>\n\n\n
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PANORAMA | Procida\u662f\u8fd9\u4e00\u6b21\u5c55\u89c8\u4f1a\u9762\u7684\u9996\u4e2a\u7248\u672c\uff0c\u540e\u7eed\u7684\u5c55\u89c8\u4e5f\u5c06\u4f1a\u91c7\u7528\u540c\u6837\u7684\u540d\u79f0\uff0c\u8fd9\u662f ITALICS<\/em> \u9080\u8bf7\u516c\u4f17\u79ef\u6781\u53c2\u4e0e\u7684\u5e74\u5ea6\u5c55\u89c8\uff0c\u65e8\u5728\u5c55\u793a\u610f\u5927\u5229\u98ce\u666f\u4e2d\u4e00\u4e9b\u6700\u8ff7\u4eba\u5730\u533a\u7684\u6545\u4e8b\uff0c\u4ece 2020\u5e74\u5f00\u59cb\uff0c\u5c31\u5df2\u7ecf\u5728\u8fd9\u4e2a\u5e73\u53f0\u7684\u9875\u9762\u4e2d\u5f00\u521b\u4e86\u4e0e\u771f\u5b9e\u4e16\u754c\u975e\u51e1\u65c5\u7a0b\u5e73\u884c\u7684\u7f8e\u5999\u827a\u672f\u4e4b\u65c5\u3002 .<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Nicola Samor\u00ec, Artaud, 2021. Courtesy the artist and Monitor Rome – Lisbon – Pereto <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Domenico Antonio Mancini, Untitled, 2021. Courtesy the artist and Galleria Lia Rumma Milan – Naples <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Rosa Barba, La vista ci permette di apprezzare la distanza, 2017. Courtesy the artist and Vistamare\/Vistamarestudio, Pescara – Milan <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Francesco Pedraglio, +393452350470, 2021. Courtesy Norma Mangione Gallery, Turin <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Fredrik V\u00e6rslev, USA, 2021. Courtesy Gi\u00f3 Marconi, Milan <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Paolo Icaro, Spazio Scolpito, Q, 1967. Courtesy the artist and P420, Bologna <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Noah Barker, Signal and Pirate Play. an indeterminate duration of boat based broadcast, 2021. Courtesy Fanta MLN, Milan <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Francesco Simeti, Curling, arching, breaking, 2021. Courtesy the artist and Francesca Minini, Milan <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u591a\u573a\u5730\u5c55\u89c8PANORAMA | Procida \u2013\u4e0e2022\u5e74\u610f\u5927\u5229\u6587\u5316\u9996\u90fd\u666e\u7f57\u5947\u8fbe\u7684\u603b\u76d1\u5965\u53e4\u65af\u5e1d\u8bfa\u00b7\u91cc \u5854\u8bfa\uff08Agostino Riitano\uff09\u8fdb\u884c\u5bf9\u8bdd\u4ea4\u6d41\uff0c\u8fd9\u662f\u4e00\u4e2a\u63a2\u7d22\u5c9b\u5c7f\u7f8e\u666f\u7684\u65c5\u7a0b\uff0c\u827a\u672f\u4e0e\u81ea\u7136\u76f8\u7ed3\u5408 \uff0c\u5171\u540c\u52fe\u52d2\u51fa\u4e00\u4e2a\u5305\u542b\u591a\u7ef4\u5ea6\u4f53\u9a8c\u7684\u65b0\u666f\u89c2\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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\"Darius
Darius Mik\u0161ys, Shower Curtain Standard, 2012, printed in 2021. Courtesy the artist and Ermes Ermes, Rome – Vienna <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Chen Zhen, Back to Fullness, Face to Emptiness, 1997-2009. Courtesy GALLERIA CONTINUA \u00a9 ADAGP, Paris <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Damon
Damon Zucconi, SPIRITUAL DOOR, 2016. Courtesy the artist and VEDA, Florence <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Mario
Mario Garc\u00eda Torres, The Sun Makes Me Blind, 2021. Courtesy Galleria Franco Noero, Turin <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Daniele
Daniele Milvio, It could be worse, I could be Sting, 2021. Courtesy the artist and Galleria Federico Vavassori, Milan <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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ALEK O., If there is a last summer morning, 2009. Courtesy the artist and Frutta, Rome <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u8fd9\u4e00\u96c6\u4f53\u76db\u4e8b\u89c1\u8bc1\u4e86\u516c\u4f17\u3001\u673a\u6784\u548c\u5e02\u6c11\u5353\u8d8a\u7684\u540c\u6b65\u53c2\u4e0e\uff1b\u9ad8\u6da8\u7684\u5a92\u4f53\u70ed\u5ea6\u548c\u4f17\u591a\u7684\u793e\u4ea4\u5206\u4eab\u4e5f \u8bc1\u5b9e\u4e86\u5176\u9a84\u4eba\u7684\u7855\u679c\u3002<\/p>\n<\/div>\n<\/div><\/div>\n\n\n

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Daniel Buren, Around an exhibition, work in situ for Italics, Procida, Italics d\u2019Oro 2021<\/figcaption><\/figure>\n<\/div>\n\n\n
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\u5c55\u89c8\u7684\u65c5\u7a0b\u8de8\u8d8a\u53e4\u4ee3\u548c\u5f53\u4ee3\uff0c\u6db5\u76d6\u4e86\u4e94\u4e2a\u4e16\u7eaa\u7684\u827a\u672f\u53f2\uff0c\u7279\u522b\u5173\u6ce8\u610f\u5927\u5229\u7684\u4f5c\u54c1\uff0c\u5176\u4e2d\u7684\u91cd\u4e2d \u4e4b\u91cd\u662f\u5728\u4ee5\u90a3\u4e0d\u52d2\u65af\u4e3a\u80cc\u666f\u7684\u521b\u4f5c\uff0c\u6c47\u96c6\u4e86\u827a\u672f\u5bb6\u4eec\u7684\u4e94\u5341\u591a\u4ef6\u7cbe\u7f8e\u4f5c\u54c1\u3002<\/h3>\n<\/div>\n\n\n\n
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Marisa Albanese (Napoli, Italia, 1947\u20132021), Giovanni Anselmo (Borgofranco d\u2019Ivrea, Italia, 1934), Salvatore Arancio (Catania, Italia, 1974), Gianni Asdrubali (Tuscania, Italia, 1955), Rosa Barba (Agrigento, Italia, 1972), Noah Barker (California, USA, 1991), Per Barclay (Oslo, Norvegia, 1955), Robert Barry (New York, USA, 1936), Elisabetta Benassi (Roma, Italia, 1966), Walead Beshty (Londra, GB, 1976), Daniel Buren (Boulogne-Billancourt, Francia, 1938), Giulia Cenci (Cortona, Italia, 1988), Chen Zhen (Shanghai, Cina 1955 \u2013 Parigi, Francia, 2000), Antonio Della Guardia (Salerno, Italia, 1990), Fortunato Depero (Fondo, Italia, 1892 \u2013 Rovereto, Italia, 1960), Patrizio Di Massimo (Jesi, Italia, 1983), Flavio Favelli (Firenze, Italia, 1967), Luca Francesconi (Mantova, Italia, 1979), Lucio Fontana (Rosario di Santa F\u00e9, Argentina, 1899 – Comabbio, Italia, 1968), Mario Garc\u00eda Torres (Monclova, Messico, 1975), Igor Grubi\u0107 (Zagabria, Croazia, 1969), Christian Holstad (Anaheim, USA, 1972), Paolo Icaro (Torino, Italia, 1936), Massimo Listri (Firenze, Italia, 1953), Nate Lowman (Las Vegas, USA, 1979), Ibrahim Mahama (Tamale, Ghana, 1987), Marcello Maloberti (Casalpusterlengo, Italia, 1966),<\/p>\n<\/div>\n\n\n\n

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Domenico Antonio Mancini (Napoli, Italia, 1980), Darius Mik\u0161ys (Kaunas, Lituania, 1969), Daniele Milvio (Genova, Italia, 1988), Alek O. (Buenos Aires, Argentina, 1981), Luigi Ontani (Grizzana Morandi, Italia, 1943), Adrian Paci (Scutari, Albania, 1969), Mimmo Paladino (Paduli, Italia, 1948), Giulio Paolini (Genova, Italia, 1940), Francesco Pedraglio (Como, Italia, 1981), Giuseppe Penone (Garessio, Italia, 1947), Giulia Piscitelli (Napoli, Italia, 1965), Nicola Samor\u00ec (Forl\u00ec, Italia, 1977), Tom\u00e1s Saraceno (San Miguel de Tucum\u00e1n, Argentina, 1973), Alberto Savinio (Atene, Grecia, 1891 \u2013 Roma, Italia, 1952), Marinella Senatore (Cava de\u2019 Tirreni, Italia, 1977), Francesco Simeti (Palermo, Italia, 1968), Sissi (Bologna, Italia, 1977), Filippo Tagliolini (Fogliano di Cascia, Italia, 1745 \u2013 Napoli, Italia, 1809), Fredrik V\u00e6rslev (Moss, Norvegia, 1979), Andy Warhol (Pittsburgh, USA, 1928 \u2013 New York, USA, 1987), Heimo Zobernig (Mauthen, Austria, 1958), Damon Zucconi (Bethpage, USA, 1985), scuola italiana del tardo XVIII secolo e un\u2019opera di Matthias Stomer (1600, Amersfoort, Paesi Bassi \u2013 1650, Sicilia), proveniente dalle collezioni del Museo e Real Bosco di Capodimonte.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Antonio Della Guardia, Per un prossimo reale, 2021. Courtesy Galleria Tiziana Di Caro <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Luca Francesconi, Senza Titolo, 2020. Courtesy Galleria Umberto di Marino, Naples<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Marinella Senatore, Remember the first time you saw your name, 2020. Courtesy Mazzoleni, Turin – London <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Giulia Cenci, pissing figures, 2020. Courtesy SpazioA, Pistoia <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Christian Holstad, Consider Yourself as a Guest (Cornucopia), 2019. Courtesy Victoria Miro Venice <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Igor Grubic\u0301, How to… , 2021. Courtesy Laveronica Arte Contemporanea, Modica<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n
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Marisa Albanese, Combattente, 2013. Courtesy Studio Trisorio, Naples<\/figcaption><\/figure>\n<\/div>\n\n\n
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Nate Lowman, White Outdoor Sculpture, 2015. Courtesy MASSIMODECARLO <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mimmo Paladino, Untitled, 2016. Courtesy Cardi Gallery, Milan – London <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Ibrahim Mahama, KOFI KUMBUNGU, 2017. Courtesy Apalazzogallery, Brescia <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Giuseppe Penone, Equivalenze, 2016. Courtesy Gagosian <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u5c55\u89c8\u8bb2\u8ff0\u4e86\u8868\u5f81\u4e86\u5404\u4e2a\u65f6\u4ee3\u521b\u9020\u529b\u7684\u98ce\u683c\u3001\u6750\u6599\u3001\u7ec4\u5408\u89e3\u51b3\u65b9\u6848\u4ee5\u53ca\u5f62\u6001\u8be0\u91ca\u7684\u4e30\u5bcc\u591a\u6837\u6027\u3002 \u5c55\u89c8\u8def\u7ebf\u904d\u5e03\u5168\u5c9b\uff0c\u4ece\u5927\u6d0b\u6e2f\uff08Porto Marina Grande\uff09\u4e00\u76f4\u5230\u7a46\u62c9\u5854\uff08Terra Murata\uff09\uff0c\u5305 \u62ec\u4e00\u4e9b\u5177\u6709\u5f3a\u70c8\u6a21\u4eff\u6027\u7684\u4f5c\u54c1\uff0c\u6e17\u900f\u5230\u81ea\u7136\u548c\u4eba\u6587\u666f\u89c2\u808c\u7406\u4e4b\u4e2d\uff0c\u53e6\u4e00\u4e9b\u4f5c\u54c1\u5219\u9700\u8981\u6e38\u5ba2\u7684\u76f4 \u63a5\u53c2\u4e0e\uff0c\u628a\u4ed6\u4eec\u4f20\u9001\u5230\u4e00\u4e2a\u610f\u60f3\u4e0d\u5230\u7684\u7a7a\u95f4\u7ef4\u5ea6\uff0c\u53e6\u5916\u8fd8\u6709\u4e24\u4e2a\u4ee5\u201c\u5c55\u89c8\u4e2d\u7684\u5c55\u89c8\u201d\u5f62\u5f0f\u5448\u73b0 \u7684\u7279\u522b\u9879\u76ee\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Alberto Savinio, Il Balcone, 1937 ca., Courtesy Bottegantica, Milan<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Walead Beshty FedEx\u00ae Kraft Box \u00a9 (…) Priority Overnight, Naples-Procida, trk#774617678257, August 25-30, 2021, 2008. Courtesy Thomas Dane Gallery, London – Naples; and Massimo Listri, Villa de Clario, Livardi, 2021. Courtesy Giacometti Old Master Paintings, Rome – Naples<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Filippo Tagliolini, Berenice, 1790 ca. and Democrito or Aristotele, 1790 ca. Courtesy Alessandra Di Castro, Rome\n <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Fortunato Depero, Tarantella, 1918. Courtesy ML Fine Art, Milan <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n
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Giulia Piscitelli, Ritratti, 2021. Courtesy Galleria Fonti, Naples <\/figcaption><\/figure>\n<\/div>\n\n\n
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\u4e00\u4ef6\u6765\u81ea\u5361\u6ce2\u8fea\u8499\u7279\u7f8e\u672f\u9986\uff08Real Bosco di Capodimonte\uff09\u7684\u7cbe\u7f8e\u4f5c\u54c1—\u5362\u9f50\u6b27\u00b7\u4e30\u5854\u7eb3\uff08Lucio Fontana\uff09\u7684 \u300aLa fine di Dio (\u4e0a\u5e1d\u7684\u7ec8\u7ed3\uff0c1963)\u300b <\/em> \u4e0e\u7a7a\u95f4\u7684\u6982\u5ff5\u8fdb\u884c\u4e86\u524d\u6240\u672a\u6709\u7684\u5bf9\u8bdd\u3002
Italics d\u2019Oro\u5f00\u521b\u4e86\u4e00\u4e2a\u5168\u65b0\u7684\u5c55\u89c8\u4f20\u7edf\uff0c\u6bcf\u4e00\u5c4a\u7684PANORAMA\u5c55\u89c8\u90fd\u4f1a\u5411\u4e00\u4f4d\u5730\u533a\u827a\u672f\u5bb6\u81f4\u656c\uff0c\u800c\u8fd9\u4e00\u7279\u5b9a\u5730\u533a\u5c06\u4f1a\u65f6\u5e38\u4e3e\u884c\u591a\u573a\u5730\u5c55\u89c8\u3002Italics d\u2019Oro \u7684\u7b2c\u4e00\u4f4d\u4e3b\u89d2\u662f\u65e6\u5c3c\u5c14\u00b7\u5e03\u7f55\uff08Daniel Buren\uff09\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Lucio Fontana, Concetto spaziale, La fine di Dio, 1963. Courtesy Tornabuoni Arte. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Matthias Stomer, Adorazione dei pastori, 1640 ca. Courtesy Museo e Real Bosco di Capodimonte, Naples; and Giulio Paolini, Il cielo e dintorni, 1988. Courtesy Alfonso Artiaco, Naples<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u5e02\u7acb\u535a\u7269\u9986\u6c47\u96c6\u4e86\u4e00\u7ec4\u8de8\u8d8a18\u4e16\u7eaa\u5230\u4eca\u5929\u7684\u4f5c\u54c1\uff0c\u8bb2\u8ff0\u90a3\u4e0d\u52d2\u65af\u53ca\u5176\u5c9b\u5c7f\u7684\u8f76\u4e8b\u3002\u66fe\u7ecf\u5728\u963f\u74e6\u7f57\u65af\u5bab\uff08Palazzo d\u2019Avalos\uff09\u5185\u7684\u5e9f\u65e7\u76d1\u72f1\uff0c\u5982\u4eca\u5728\u5c55\u89c8\u4e00\u4e9b\u547c\u5e94\u675f\u7f1a\u548c\u5b64\u7acb\u4e3b\u9898\u7684\u4f5c\u54c1\u3002<\/em>\u73af\u7ed5\u5723\u7c73\u6b47\u5c14\u963f\u5c14\u574e\u6770\u4fee\u9053\u9662\uff08Abbazia di San Michele Arcangelo\uff09\u5468\u56f4\u4e5f\u5c55\u793a\u4e86\u5177\u6709\u795e\u79d8\u6216\u7cbe\u795e\u5c42\u9762\u6027\u8d28\u7684\u4f5c\u54c1\u3002\u666e\u7f57\u5947\u8fbe\u7684\u4e09\u4e2a\u8457\u540d\u9732\u53f0\u5750\u843d\u5728\u8fd9\u4e2a\u533a\u57df\u7684\u4e0d\u540c\u4f4d\u7f6e\uff0c\u53ef\u6b23\u8d4f\u5230\u5730\u4e2d\u6d77\u7684\u58ee\u4e3d\u666f\u8272\uff0c\u4e5f\u66fe\u4e3e\u529e\u8fc7\u91cd\u8981\u7684\u96d5\u5851\u88c5\u7f6e\u3002\u6700\u540e\uff0c\u8fd8\u5c06\u5c55\u51fa\u5927\u91cf\u7279\u5b9a\u573a\u57df\u827a\u672f\u88c5\u7f6e\uff0c\u5de7\u5999\u81ea\u7136\u5730\u878d\u5165\u90fd\u5e02\u80cc\u666f\uff0c\u8fd8\u6709\u4e00\u4e9b\u77ed\u671f\u7684\u88c5\u7f6e\u827a\u672f\uff0c\u5927\u90e8\u5206\u4f5c\u54c1\u7531\u5e74\u8f7b\u827a\u672f\u5bb6\u521b\u4f5c\u5b8c\u6210\uff0c\u4ed6\u4eec\u901a\u8fc7\u5229\u7528\u58f0\u97f3\u3001\u65e0\u7ebf\u7535\u4f20\u8f93\u3001\u6570\u5b57\u7ef4\u5ea6\u3001\u53d9\u8ff0\u4ee5\u53ca\u6700\u91cd\u8981\u7684\u53c2\u4e0e\u6765\u5c1d\u8bd5\u591a\u79cd\u8868\u8fbe\u65b9\u5f0f\u3002\u8fd8\u6709\u4e94\u4f4d\u827a\u672f\u5bb6\u7684\u884c\u4e3a\u827a\u672f\u4e5f\u5c5e\u4e8e\u8fd9\u4e00\u8303\u7574\uff0c\u4ed6\u4eec\u5206\u522b\u662f\uff1a\u7f57\u4f2f\u7279\u00b7\u5df4\u91cc\uff08Robert Barry\uff09\u4f0a\u4e3d\u838e\u767d\u00b7\u8d1d\u7eb3\u897f\uff08Elisabetta Benassi\uff09\u3001\u4f0a\u6208\u5c14\u00b7\u683c\u9c81\u6bd4\u5947\uff08Igor Grubi\u0107\uff09\u3001\u9a6c\u5c14\u5207\u6d1b\u00b7\u9a6c\u6d1b\u8d1d\u8482\uff08Marcello Maloberti\uff09\u548c\u4e9a\u5fb7\u91cc\u5b89\u00b7\u5e15\u5947\uff08Adrian Paci\uff09\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Marcello Maloberti, MARTELLATE \u2013 MALINCUORE, 2021, Performance site-specific. Courtesy the artist and Galleria Raffaella Cortese, Milan. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Robert Barry, Inert Gas Series\/Argon\/at 5 pm on September 2nd 2021 14 liters of Argon were returned to the atmosphere, 2021. Performance site-specific. Courtesy the artist and Galleria Massimo Minini, Brescia<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Patrizio di Massimo, Caro Mondo, 2021. Performance site-specific. Courtesy the artist and T293, Rome<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Adrian Paci, One and Twenty-Four Chairs, 2021. Performance. Courtesy kaufmann repetto, Milan – New York <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Igor Grubi\u0107, Little Quote Lesson, 2021. Performance. Courtesy Laveronica Arte Contemporanea, Modica<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Elisabetta Benassi, Ordine e Disordine, 2015-2021, Performance. Courtesy of the artist and Magazzino, Rome <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u5c55\u89c8\u671f\u95f4\u4e5f\u4e0d\u4e4f\u5171\u540c\u53cd\u601d\u7684\u65f6\u523b\uff0c\u8457\u540d\u7684\u5730\u8d28\u5b66\u5bb6\u5f17\u5170\u79d1\u00b7\u6cd5\u91cc\u5185\u5229\uff08Franco Farinelli\uff09\u4e0e\u5728\u8bbe\u8ba1\u3001\u5efa\u7b51\u548c\u89c6\u89c9\u827a\u672f\u9886\u57df\u4ece\u4e8b\u5404\u79cd\u5a92\u4f53\u5de5\u4f5c\u7684\u4f5c\u5bb6\u5b89\u5fb7\u91cc\u4e9a\u00b7\u963f\u7eb3\u65af\u5854\u897f\u5965\uff08Andrea Anastasio\uff09\u8fdb\u884c\u5bf9\u8bdd\uff0c\u4e8e9\u67083\u65e5\u661f\u671f\u4e94\u5728Terrazza di Terra Murata\u4e3e\u884c\u4e00\u573a\u5411\u516c\u4f17\u5f00\u653e\u7684\u7814\u8ba8\u4f1a\uff0c\u9898\u76ee\u4e3a\u300aArte e Territorio<\/em>. Spunti per una vera integrazione<\/em>\uff08\u827a\u672f\u4e0e\u9886\u571f\u3002\u771f\u6b63\u878d\u5408\u7684\u5951\u673a\uff09\u300b\uff0c\u7814\u8ba8\u4f1a\u7531\u7b56\u5c55\u4eba\u6587\u7434\u4f50\u00b7\u8d1d\u5229\u65af\u4ee5\u53ca2022\u5e74\u610f\u5927\u5229\u6587\u5316\u9996\u90fd–\u666e\u7f57\u5947\u8fbe\u7684\u603b\u76d1\u5965\u53e4\u65af\u5e1d\u8bfa\u00b7\u91cc\u5854\u8bfa\u5171\u540c\u4f4f\u6301\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tempietto Palazzo Costagliola, Venere della Grotticella, from the original by Giambologna, Italian school, late 18th Century, Courtesy Galleria Carlo Orsi, in dialogue with Giovanni Anselmo, Oltremare verso est nord-est, 1979\/2021, Courtesy the artist and Tucci Russo Studio per l\u2019Arte Contemporanea, Torre Pellice – Turin\n<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Tom\u00e1s Saraceno, GJ 1132 c\/M+M, 2018. Courtesy the artist and pinksummer, Genoa <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n
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Elisabetta Benassi, Mouchoirs, 2014-2021. Courtesy Magazzino, Rome <\/figcaption><\/figure>\n<\/div>\n\n\n
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Villa Sofia: Gianni Asdrubali, Stenkanibale, 2021, Courtesy A arte Invernizzi, Milan, and Flavio Favelli, Silver Plated, 2021, Courtesy Studio SALES di Norberto Ruggeri, rome<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Sissi, Vasi Madre (from “Motivi Ossei” series), 2018. Courtesy Galleria d\u2019Arte Maggiore g.a.m., Bologna – Milan – Paris<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Heimo Zobernig, Untitled, 2012. Courtesy Caterina Tognon Arte Contemporanea, Venice <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Luigi Ontani, DantElegia, 1998. Courtesy Galleria dello Scudo, Verona <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n
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Per Barclay, Lofoten 5, 2010. Courtesy Giorgio Persano, Turin <\/figcaption><\/figure>\n<\/div>\n\n\n
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Salvatore Arancio, A Soft Land No Longer Distant, 2017. Courtesy Schiavo Zoppelli Gallery, Milan <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Andy Warhol, polariods, ’70-’80. Courtesy Tommaso Calabro Galleria d\u2019Arte, Milan <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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PANORAMA | Procida \u5b8c\u5168\u5f70\u663e\u4e86\u9898\u76ee\u4e3a\u300a\u827a\u672f\u4e0e\u666f\u89c2\uff08Art and Landscape\uff09\u300b\u7684ITALICS<\/em> \u9879\u76ee\u7684\u539f\u59cb\u521b\u4f5c\u51c6\u5219\uff1a\u53ef\u80fd\u6027\uff0c\u4e5f\u5c31\u662f\u8bf4\u5728\u8d85\u8d8a\u4efb\u4f55\u65f6\u95f4\u6216\u5a92\u4f53\u5206\u7c7b\u7684\u57fa\u7840\u4e0a\uff0c\u901a\u8fc7\u827a\u672f\u53ca\u5176\u5728\u6e38\u5ba2\u4e0e\u9886\u571f\u4e4b\u95f4\u5efa\u7acb\u7684\u5173\u7cfb\uff0c\u6765\u8be0\u91ca\u4eba\u7c7b\u6570\u4e16\u7eaa\u7684\u666f\u89c2\u53ca\u5176\u5206\u5316\u7684\u5386\u53f2\u6545\u4e8b\u3002\u901a\u8fc7PANORAMA<\/em>\u5c55\u89c8, ITALICS<\/em> \u5c06\u4f1a\u6bcf\u5e74\u91cd\u7533\u5176\u627f\u8bfa\uff0c\u900f\u8fc7\u610f\u5927\u5229\u7f8e\u672f\u9986\u4e3b\u7684\u89c6\u89d2\uff0c\u4ee5\u6df1\u523b\u7684\u89c1\u89e3\u63a8\u5e7f\u610f\u5927\u5229\u4e4b\u7f8e\u3002 <\/p>\n<\/div>\n<\/div><\/div>\n\n\n

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Photo \u00a9 Barbara Rossi<\/figcaption><\/figure>\n<\/div>\n\n\n
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ITALICS<\/em> \u81f3\u8bda\u9080\u8bf7\u827a\u672f\u7231\u597d\u8005\u3001\u4e13\u4e1a\u4eba\u58eb\u548c\u90a3\u4e9b\u60f3\u8981\u4f53\u9a8c\u524d\u6240\u672a\u6709\u201c\u5168\u666f\u201d\u7684\u516c\u4f17\u53c2\u4e0e\u660e\u5e74\u7684\u5c55\u89c8\uff0c\u53d1\u73b0\u63a2\u7d22\u610f\u5927\u5229\u7f8e\u666f\u7684\u65b0\u65c5\u7a0b\u3002<\/p>\n\n\n\n

PANORAMA | Procida \u7684\u6210\u529f\u5f97\u76ca\u4e8e\u8be5\u9879\u76ee\u7684\u5408\u4f5c\u4f19\u4f34Intesa Sanpaolo\u94f6\u884c\uff0c\u4ee5\u53ca\u611f\u8c22Tod’s\u627f\u8bfa\u7ee7\u7eed\u652f\u6301\u5e74\u8f7b\u7684\u5f53\u4ee3\u521b\u9020\u529b\u3002
\u611f\u8c22\u574e\u5e15\u5c3c\u4e9a\u5927\u533a\u3001\u5510\u7eb3\u96f7\u5409\u7eb3\u5f53\u4ee3\u827a\u672f\u57fa\u91d1\u4f1a-\u6bcd\u4eb2\u535a\u7269\u9986\uff08Fondazione Donnaregina per le arti contemporanee \u2013 museo Madre\uff09\u9f0e\u529b\u652f\u6301\u8fd9\u4e00\u6b21\u5c55\u89c8\uff0c\u611f\u8c22\u4e0e\u5361\u6ce2\u8fea\u8499\u7279\u7f8e\u672f\u9986\u643a\u624b\u5408\u4f5c\uff0c\u5e76\u611f\u8c22\u666e\u7f57\u5947\u8fbe\u5e02\u653f\u5e9c\u548c \u201cVerso Procida 2022\u201d\u7684\u8d5e\u52a9\u3002
\u6211\u4eec\u8877\u5fc3\u611f\u8c22Forma Edizioni\u51fa\u7248\u5c55\u89c8\u6307\u5357\u548c\u5a92\u4f53\u5408\u4f5c\u4f19\u4f34Il Giornale dell\u2019Arte\u3002<\/p>\n<\/div>\n<\/div><\/div>\n\n\n

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A arte Invernizzi, Apalazzogallery, Alfonso Artiaco, Bottegantica, Cardi Gallery, Carlo Orsi, Galleria Continua, Galleria Raffaella Cortese, Thomas Dane Gallery, Massimo De Carlo, Galleria Tiziana Di Caro, Alessandra Di Castro, Galleria Umberto Di Marino, Ermes Ermes, Fanta-MLN, Galleria Fonti, Frutta, Gagosian, Galleria dello Scudo, Giacometti Old Master Paintings, kaufmann repetto, Laveronica Arte Contemporanea, Galleria Lia Rumma, Magazzino, Galleria d\u2019Arte Maggiore g.a.m., Gi\u00f3 Marconi, Mazzoleni, Galleria Massimo Minini, Francesca Minini, ML Fine Art, Monitor, Galleria Franco Noero, Norma Mangione Gallery, P420, Giorgio Persano, Pinksummer, Schiavo Zoppelli Gallery, SpazioA, Studio Sales di Norberto Ruggeri, Studio Trisorio, T293, Caterina Tognon Arte Contemporanea, Tommaso Calabro Galleria d\u2019Arte, Tornabuoni Arte, Tucci Russo Studio per l\u2019Arte Contemporanea, Federico Vavassori, Veda, Victoria Miro Venice, Vistamare|Vistamarestudio.<\/p>\n<\/div>\n<\/div><\/div>\n\n\n

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ITALICS\u827a\u672f\u9879\u76ee PANORAMA\u591a\u573a\u5730\u5c55\u89c8 \u7b56\u5c55\u4eba\uff1a \u6587\u7434\u4f50\u00b7\u8d1d\u5229\u65af\uff08Vincenzo de Bell …<\/p>\n","protected":false},"author":3,"featured_media":25113,"parent":24961,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-14352","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPanorama Procida 2021\u5e749\u67082-5\u65e5\u666e\u7f57\u5947\u8fbe - Italics Art and Landscape<\/title>\n<meta name=\"description\" content=\"PANORAMA\u591a\u573a\u5730\u5c55\u89c8\u7b56\u5c55\u4eba\uff1a\u6587\u7434\u4f50\u00b7\u8d1d\u5229\u65af\uff08Vincenzo de Bellis\uff092021\u5e749\u67082-5\u65e5\u666e\u7f57\u5947\u8fbe\uff08Procida\uff09\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/italics.art\/zh-hans\/panorama\/panorama-procida\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Panorama Procida 2021\u5e749\u67082-5\u65e5\u666e\u7f57\u5947\u8fbe - 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