{"id":26556,"date":"2023-11-05T15:56:15","date_gmt":"2023-11-05T14:56:15","guid":{"rendered":"https:\/\/italics.art\/panorama\/panorama-monferrato\/"},"modified":"2024-10-17T16:23:18","modified_gmt":"2024-10-17T14:23:18","slug":"panorama-monferrato","status":"publish","type":"page","link":"https:\/\/italics.art\/zh-hans\/panorama\/panorama-monferrato\/","title":{"rendered":"Panorama Monferrato"},"content":{"rendered":"\n
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PANORAMA MONFERRATO<\/strong>
Camagna<\/strong>,\u00a0Vignale<\/strong>,\u00a0Montemagno<\/strong>\u00a0and\u00a0 Castagnole\u00a0<\/strong>
4\u20138 September 2024<\/h1>\n\n\n\n

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Curated by\u00a0Carlo Falciani<\/strong><\/h1>\n\n\n\n

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After Procida<\/a>, Monopoli<\/a> and L\u2019Aquila<\/a> ITALICS brought to the Monferrato area of Piedmont the fourth edition of Panorama, the region-wide exhibition that since 2021, on an annual basis, has been connecting architecture, art and landscape with the territory and its communities.\u00a0<\/h2>\n<\/div>\n\n\n\n
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Gianpietro Carlesso, Tutto muta<\/em>, 2013. Courtesy the artist and Cardi Gallery<\/figcaption><\/figure>\n\n\n\n
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The fourth edition<\/strong> of Panorama<\/em> came to a highly successful close Sunday 8 September 2024. Curated by Carlo Falciani<\/strong>,\u00a0Panorama Monferrato<\/em><\/strong>, the region-wide art exhibition conceived by ITALICS<\/strong>,had more than 10,000 visitors <\/strong>experience its itinerary through the vineyards, churches, castles and parish churches of the four chosen towns in the Piedmont region \u2013 Camagna<\/strong>, Vignale<\/strong>, Montemagno <\/strong>and Castagnole<\/strong>. Once again, it succeeded in creating a transversal narrative <\/strong>that brought together ancient, modern and contemporary art, inviting the public to participate in a personal and collective journey <\/strong>to rediscover an extraordinary corner of Italy.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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During the 5-day event<\/strong>, the towns of Camagna<\/strong>, Vignale<\/strong>, Montemagno<\/strong> and Castagnole<\/strong> in Monferrato welcomed 63 artists, more than 150 artworks <\/strong>and 62 galleries<\/strong>, creating a region-wide art exhibition<\/strong>\u00a0confirming Panorma<\/em>\u2019s ability to create a dialogue between architecture, ancient, modern and contemporary art and the local area<\/strong> and its communities.<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Belvedere Vignale. Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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The area extends between the provinces of Alessandria and Asti to the foothills of the Ligurian Apennines, between the Langhe and Roero and the historic Lombardy region of Lomellina. In this hilly landscape, the land and rural traditions are part of a\u00a0unique heritage of culture, history and traditions<\/strong>,\u00a0also recognized by\u00a0UNESCO<\/strong>. It deserves a slow exploration and offers artistic itineraries ranging from the Romanesque to contemporary routes with\u00a0site-specific\u00a0installations and public art, making it a\u00a0region-wide\u00a0open-air\u00a0museum.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Arcangelo Sassolino, The paradoxical nature of life<\/em>, 2023. Courtesy Galleria dello Scudo<\/figcaption><\/figure>\n\n\n\n
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Inspired by the principles of La civil conversazione<\/em><\/strong>, a work written by Stefano Guazzo <\/strong>and published in 1574<\/strong>, Panorama Monferrato <\/em><\/strong>unveiled an itinerary that differed from the usual tourist flows by investigating the local area\u2019s roots and casting a light on its unique identity: the itinerary, which the curator based on the model of Renaissance initiatory journeys<\/strong>, was meant to be taken slowly, a metaphor for a path of meditation<\/em>.<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u201cThe exhibition project is inspired by principles expressed in\u00a0<\/em>La civil conversazione,\u00a0and the\u00a0themes that have been extrapolated from it are the focus of debate even today<\/em>.\u00a0Because the exhibition is spread over several different towns,<\/em>\u201d explained curator\u00a0Carlo Falciani<\/strong>, \u201cthe sequence of themes is also meant to be a metaphor for the Renaissance journey of initiation<\/em>: one\u00a0example above all is Francesco Colonna\u2019s 1499 <\/em>Hypnerotomachia Poliphili. In this text, the protagonist embarks on a journey of growth and inner transformation marking some milestones through encounters with people, works of art, architecture or thoughts, but also existential trials and reflections that substantially change him.<\/em>\u201d<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

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Lala Meredith-Vula,\u00a0Haystacks Busi, Kosova<\/em>, 2007. Courtesy the artist and Sim\u00f3ndi \/ Anonymous masters of Arms of the 18th-19th centuries,\u00a0Incudine<\/em>, 1793.\u00a0Courtesy Alessandro Cesati<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Stefano Guazzo, La civil conversazione<\/em>, Brescia, Tomaso Bozzola, 1574, Private Collection<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Shimabuku, Born as a box<\/em>, 2019. Courtesy the artist and ZERO\u2026<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Franco Vimercati, Sulle Langhe<\/em>, Series, 1973. Courtesy Galleria Raffaella Cortese and Archivio Franco Vimercati<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Giuseppe Uncini, Cementarmato n.15<\/em>, 1960 \/ Spazi di ferro n.74<\/em>, 1990. Courtesy Dep Art Gallery<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Armando Andrade Tudela, Thin nut\u2019s skin<\/em>, Series, 2021. Courtesy the artist and Francesca Minini<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Richard Meitner, Schizzi selvaggi<\/em>, Series, 2013-24. Courtesy the artist and Caterina Tognon Arte Contemporanea<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Richard Meitner, Schizzi selvaggi<\/em>, Series, 2013-24. Courtesy the artist and Caterina Tognon Arte Contemporanea \/ Salvatore Scarpitta,\u00a0Drummer Brigade<\/em>, 1963. Courtesy\u00a0Studio Gariboldi<\/figcaption><\/figure>\n\n\n\n
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Maria Nepomuceno,\u00a0Untitled<\/em>, 2010. Courtesy\u00a0Victoria Miro \/ Moira Ricci, Dove il cielo \u00e8 pi\u00f9 vicino<\/em>, Series, 2014. Courtesy the artist and Laveronica Arte Contemporanea<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Moira Ricci, Dove il cielo \u00e8 pi\u00f9 vicino<\/em>, Series, 2014. Courtesy the artist and Laveronica Arte Contemporanea<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Binta Diaw, Na\u00eetre au monde, c\u2019est concevoir (vivre) enfin le monde comme relation #4<\/em>, 2022. Courtesy the artist and Prometeo Gallery Ida Pisani<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Salvatore Scarpitta, Drummer Brigade<\/em>, 1963. Courtesy Studio Gariboldi<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n
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Lala Meredith-Vula, 50 reasons why nature is important looking at the sky<\/em>, 2024. Courtesy the artist and Sim\u00f3ndi<\/figcaption><\/figure>\n<\/div>\n\n\n
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Divided into chapters, the exhibition developed themes <\/strong>that crossed the ages in each town: Lavoro e radici <\/em>[Labor and Roots<\/em>]<\/strong>, Ritratto e identit\u00e0 <\/em>[Portrait and Identity<\/em>]<\/strong>, Caducit\u00e0 e morte <\/em>[Transience and Death<\/em>] <\/strong>and Sacralit\u00e0 dell\u2019arte, anche laica <\/em>[Sacredness of Art, including Secular Art<\/em>]<\/strong>. The more than 150 works <\/strong>on exhibit included paintings, sculptures, installations and video-art works, a cross-section of Art History, from the 2nd century through to the present day, thanks to the contributions of 63 artists <\/strong>and 62 ITALICS galleries<\/strong>, engaging with spaces such as the former Cottolengo center <\/strong>and the Loggia <\/strong>of the Palazzo Comunale <\/strong>in Camagna, Palazzo Callori<\/strong>, its Theater <\/strong>and the church of the Battuti <\/strong>in Vignale, the Castle <\/strong>and the Voltoni Scalea Barocca <\/strong>in Montemagno, the church of the Annunziata<\/strong>, the Casa della Maestra <\/strong>and the former Regina Elena nursery school <\/strong>in Castagnole.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Montemagno Castle. Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Akram Zaatari, Photographic Currency<\/em>, 2019. Courtesy the artist and Thomas Dane Gallery<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Elisabetta Di Maggio,\u00a0Rape<\/em>,\u00a02001. Courtesy the artist and\u00a0Studio Trisorio \/ Akram Zaatari,\u00a0Photographic Currency<\/em>, 2019. Courtesy the artist and\u00a0Thomas Dane Gallery<\/figcaption><\/figure>\n\n\n\n
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Jana Schr\u00f6der, D.A.M. L2<\/em>, 2024. Courtesy Alfonso Artiaco<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Jana Schr\u00f6der, D.A.M. M4<\/em>, 2024. Courtesy Alfonso Artiaco<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Diego Perrone, Senza Titolo<\/em>, 2022. Courtesy MASSIMODECARLO \/ Ottone Rosai, Il capoccia (\u00abIl mungitore\u00bb)<\/em> \/ Il Vecchio (\u00abPietro\u00bb)<\/em>, 1934. Courtesy Galleria d\u2019Arte Frediano Farsetti<\/figcaption><\/figure>\n\n\n\n
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Salvatore Astore, Anatomia Umana<\/em> \/ Anatomia Umana<\/em>, 2023. Courtesy the artist and Mazzoleni, London-Torino<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Damien Meade, Senza titolo<\/em> (DM2402) \/ Senza titolo<\/em> (DM2403), 2024. Courtesy CAR Gallery<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Betty Danon, Seul le silence<\/em>, Series, 1990. Courtesy Galleria Tiziana Di Caro and Archivio Betty Danon<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Vincenzo Agnetti, Ritratto di Equilibrista<\/em>, 1970, Courtesy Archivio Vincenzo Agnetti \/ Ritratto di Missionario<\/em>, 1971, Courtesy Osart Gallery<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Painter of the 19th century,\u00a0Portable escritoire with
the Portrait of Maria Letizia Bonaparte<\/em>, 1810 circa. <\/em>Courtesy Walter Padovani<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Edson Chagas,\u00a0Diogo K. Puenha, Tipo Passe<\/em>, 2014, Courtesy Apalazzogallery \/ Sculptor of the 2nd century CE,\u00a0Ritratto di Ulpia Marciana<\/em>,\u00a0120-130 d.C circa. Courtesy\u00a0Alessandra Di Castro<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Carlo Amalfi, Portraits of the Serra di Cassano<\/em> family<\/em>, Third quarter of the 18th century.\u00a0Courtesy Galleria Carlo Virgilio & C. \/ Alex Katz,\u00a0Kym 2, <\/em>2008.\u00a0Courtesy Monica De Cardenas<\/figcaption><\/figure>\n\n\n\n
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Markus Schinwald, Emma<\/em>, 2016 \/ Sacks<\/em>, Series, 2016. Courtesy the artist and Gi\u00f3 Marconi<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Guido Trentini, La fanciulla sommersa<\/em>, 1914 circa. Courtesy Bottegantica<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Romina Bassu, Soliloquio<\/em>, Series, 2024. Courtesy Studio SALES di Norberto Ruggeri<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Stefano Guazzo, La civil conversazione<\/em>, Venezia, Altobello Salicato, alla Libraria della Fortezza, 1588. Private Collection<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Susana Pilar, From the series Lo que contaba la abuela\u2026<\/em>, 2017. Courtesy Galleria Continua<\/figcaption><\/figure>\n\n\n\n
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Francesco Jodice, Aral Citytellers<\/em>, 2010. Courtesy the artist and Galleria Umberto Di Marino<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mirabello Cavalori, Ritratto di giovane come allegoria dell’amicizia<\/em>, post 1565. Courtesy Carlo Orsi \/ Susana Pilar, From the series Lo que contaba la abuela\u2026<\/em>, 2017. Courtesy Galleria Continua<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Patrick Tuttofuoco, Drop the Body<\/em>, 2021 \/ Pink Limen<\/em>, 2024. Courtesy the artist and Federica Schiavo Gallery<\/figcaption><\/figure>\n\n\n\n
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In addition to the strong turnout recorded at the exhibition venues in each of Panorama Monferrato<\/em>\u2019s towns, participation was also excellent for the Public Program<\/em><\/strong> that makes Panorama a must for enthusiasts and insiders alike, as well as a unifying experience for the entire cultural system.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Talk “Consiglio dei viventi” with Maria Thereza Alves in collaboration with Castello di Rivoli, Montemagno. Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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The Colazione con l\u2019Artista <\/em>[Breakfasts with the Artists<\/em>] <\/strong>were an opportunity to create synergies between the public, curators and artists; the project workshops <\/strong>and talks<\/strong>, held in collaboration with Turin\u2019s cultural institutions, were stimulating for the public and brought them closer to art through less conventional fields such as phytoalimurgy, gastronomy, music and science, while the screenings <\/strong>recounted the area\u2019s identity <\/strong>through a visual journey. Another event that captured the project\u2019s communal spirit took place in the evening, the merenda sinoira<\/strong>, an opportunity for the public to experience the rural tradition of farmers getting together for food and company, and then the sound performances<\/strong>, and the evocative dinner with a panoramic view <\/strong>at the Belvedere di Castagnole.\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n

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IMPRO brain sound pod. TRIO with Paolo Dellapiana, Julia Kent, Giorgio Li Calzi, Vignale. Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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IMPRO brain sound pod. TRIO with Paolo Dellapiana, Julia Kent, Giorgio Li Calzi, Vignale. Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Montemagno Castle. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Marco Bagnoli, Il Cielo copre, la Terra sostiene<\/em>, 1989 (2023). Courtesy Giorgio Persano<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Francesco Vezzoli, Camelia (Portrait d\u2019une Mademoiselle)<\/em>, 2020. Courtesy the artist and Galleria Franco Noero<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Cesari know as Cavalier d\u2019Arpino,\u00a0La vittoria di Costantino,\u00a0<\/em>1635-1640.\u00a0Courtesy Galleria Canesso \/ Sara Enrico,\u00a0The Jumpsuit Theme<\/em>, 2023. Courtesy the artist and\u00a0Vistamare<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Latifa Echakhch,\u00a0The Fall (Mountains view from Lausanne)<\/em>,\u00a0<\/strong>2020. Courtesy the artist and kaufmann repetto \/ Ariel Schlesinger, Untitled (Burnt Carpet)<\/em>, 2015. Courtesy the artist and Galleria Massimo Minini<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Pierluigi Scandiuzzi, Giardino segreto<\/em>, 2023. Courtesy the artist and Lunetta11<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Stefano Guazzo, La civil conversazione<\/em>, Venezia, Domenico Imberti, 1589. Private Collection<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Installation view, Montemagno Castle. Courtesy the artists, Galleria Doris Ghetta, Lunetta11, Botticelli Antichit\u00e0<\/figcaption><\/figure>\n\n\n\n
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Marianne Vitale, Bottle People<\/em>, Series, 2020-21. Courtesy the artist and Galleria Doris Ghetta<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Theaster Gates, Gone are the Days of Shelter and Martyr<\/em>, 2014. Courtesy the artist and Gagosian \/\u00a0Master of the Gualino Saint
Catherine (attr.), Santo Vescovo<\/em>,\u00a0First half of the 14th century. Courtesy Botticelli Antichit\u00e0<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Theaster Gates, Gone are the Days of Shelter and Martyr<\/em>, 2014. Courtesy the artist and Gagosian<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Master of the Gualino Saint Catherine (attr.), Santo Vescovo<\/em>,\u00a0First half of the 14th century. Courtesy Botticelli Antichit\u00e0<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Voltoni Scalea Barocca, Montemagno. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Forma bonum fragile est\u00a0<\/em>Gentlemen\u2019s shaving stand, 19th century.\u00a0Courtesy Bacarelli<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Giuseppe Recco, I cinque sensi<\/em>, 1673. Courtesy Giacometti Old Master Paintings \/ Tal R., Fallen Tree<\/em>, 2021. Courtesy Tim Van Laere Gallery<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Claire Fontaine, Untitled (No Present)<\/em>, 2013. Courtesy the artist and T293<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Marzia Migliora, Prey<\/em>, 2020. Courtesy Galleria Lia Rumma, Museo delle Civilt\u00e0 Collection<\/figcaption><\/figure>\n\n\n\n
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There was also the ceremony <\/strong>to award the Italics d\u2019Oro<\/em><\/strong>, the fourth edition of this prize, which each year celebrates the bond between an artist and the territory<\/strong>: this year it was given to Paolo Icaro<\/strong>, one of the leading artists on the scene in the 1960s. Born in Turin, he worked in both Europe and America, taking part in some of the most important events in the Italian art scene of the second half of the twentieth century. Icaro has always felt an undying connection with the local area\u2019s identity.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Italics d’oro prize, Castagnole. Panorama Monferrato, 2024. Courtesy Italics<\/figcaption><\/figure>\n\n\n\n
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Michel Verjux, Perspectives environnantes<\/em>, 2024. Courtesy the artist and A arte Invernizzi<\/figcaption><\/figure>\n\n\n\n
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Fausto Melotti, Contrappunto Piano<\/em>, 1973. Courtesy ML Fine Art \/ Claudio Parmiggiani, Senza titolo<\/em>, 2023. Courtesy Tornabuoni Arte<\/figcaption><\/figure>\n\n\n\n
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Maria Elisabetta Novello, Nel tempo che tace<\/em>, 2024. Courtesy the artist and Galleria Fumagalli<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Giorgio Morandi, Fiori<\/em>, 1942. Courtesy Maurizio Nobile Fine Art \/ Claudio Parmiggiani, Senza titolo<\/em>, 2023. Courtesy Tornabuoni Arte<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Former Regina Elena nursery school, Castagnole. Courtesy Italics<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Invernomuto, Pannocchia<\/em>, 2016-2024. Courtesy the artists and Pinksummer<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Gio\u2019 Pomodoro, Folla<\/em>, 1992. Courtesy Secci and Archivio Gio\u2019 Pomodoro<\/figcaption><\/figure>\n\n\n\n
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Gianni Pellegrini, Emersi<\/em>, 2021. Courtesy the artist and Galerie Rolando Anselmi<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Stefano Guazzo, La civil conversazione<\/em>, Venezia, Giorgio Bizzardo, 1611, Private Collection<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Atelier dell\u2019Errore, Selenide Spinato<\/em>, 2023 \/ Elinguato Formicoso<\/em>, 2023. Courtesy Richard Saltoun Gallery<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Pieter Vermeersch, Untitled<\/em>, 2019. Courtesy the artist and P420<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Esther Kl\u00e4s, Girare con te #04<\/em>, 2014. Courtesy the artist and SpazioA, Pistoia<\/figcaption><\/figure>\n\n\n\n
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Margherita Moscardini, Bethel Chapel\u2019s Annex<\/em>, 2023. Courtesy the artist and Gian Marco Casini Gallery<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Luca Vitone, per l\u2019eternit\u00e0<\/em>, 2013. Courtesy the artist and Collection Eric Guichard, Londra<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Panorama Monferrato<\/em><\/strong>\u00a0was a unique exhibition experience, perfectly embodying the values of ITALICS<\/strong> by emphasizing the great importance of dialogue and collaboration. As usual, it brought together ancient, modern and contemporary art, multiple artistic styles, techniques and thoughts in itineraries that led to the discovery of the most authentic and lesser known aspects of our country, continuing the extraordinary journey that began in 2020 on the webpages of the Italics.art <\/strong>platform. With a format sought and shared by the consortium\u2019s member galleries with the aim of collaborating with the territories, Panorama is the symbol of a commitment<\/strong> to gradually expanding a program and alliances that reaffirm the importance and role of art galleries<\/strong> in an ever-evolving local and global cultural system.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Alfredo Pirri, Passi 2024, Ex Asilo Regina Elena<\/em>. Courtesy the artist and Tucci Russo Studio per l\u2019Arte Contemporanea<\/figcaption><\/figure>\n\n\n\n

Photo Credits: Louis De Belle, Cosmo Laera and Giorgio Salimeni<\/p>\n\n\n\n

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The artists:<\/h3>\n<\/div>\n\n\n\n
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Vincenzo Agnetti\u00a0(Milan, 1926\u20131981),\u00a0Carlo Amalfi\u00a0(Piano di Sorrento, 1707 \u2013 Naples, 1787),\u00a0Armando Andrade Tudela\u00a0(Lima, 1975),\u00a0Anonymous masters of arms of the 18th-19th centuries,\u00a0Salvatore Astore\u00a0(S. Pancrazio Salentino, 1957),\u00a0Atelier dell\u2019Errore\u00a0(Reggio Emilia, 2002),\u00a0Marco Bagnoli\u00a0(Empoli, 1949),\u00a0Romina Bassu\u00a0(Rome, 1982),\u00a0Cabinet Maker of the 19th century,\u00a0Mirabello Cavalori\u00a0(Florence, 1535\u20131572),\u00a0Gianpietro Carlesso (Bozen, 1961),\u00a0Giuseppe Cesari\u00a0known as\u00a0il Cavalier d\u2019Arpino\u00a0(Arpino, 1568 \u2013 Rome, 1640),\u00a0Edson Chagas\u00a0(Luanda, 1977),\u00a0Claire Fontaine\u00a0(Paris, 2004),\u00a0Betty Danon\u00a0(Istanbul, 1927 \u2013 Milan, 2002),\u00a0Elisabetta Di\u00a0Maggio\u00a0(Milan, 1964),\u00a0Binta Diaw\u00a0(Milan, 1995),\u00a0Latifa Echakhch\u00a0(El Khnansa, 1974),\u00a0Sara Enrico\u00a0(Biella, 1979),\u00a0Theaster\u00a0Gates (Chicago, 1973),\u00a0Invernomuto\u00a0(Milan, 2003),\u00a0Francesco\u00a0Jodice\u00a0(Naples, 1967),\u00a0Alex Katz\u00a0(New York, 1927),\u00a0Esther\u00a0Kl\u00e4s\u00a0(Mainz, 1981),\u00a0Master of the Gualino Saint Catherine\u00a0(14th century),\u00a0Damien\u00a0Meade\u00a0(Limerick, 1969),\u00a0Richard Meitner\u00a0(Philadelphia, 1949),\u00a0Fausto Melotti (Rovereto, 1901 \u2013 Milan, 1986),\u00a0Lala Meredith-Vula\u00a0(Sarajevo, 1966),\u00a0Marzia Migliora\u00a0(Alessandria, 1972),\u00a0Giorgio Morandi\u00a0(Bologna, 1890\u20131964),\u00a0Margherita Moscardini\u00a0(Donoratico, 1981),\u00a0Maria Nepomuceno\u00a0(Rio de Janeiro, 1976),\u00a0Maria Elisabetta Novello\u00a0(Vicenza, 1974),\u00a0Claudio Parmiggiani\u00a0(Luzzara, 1943),\u00a0Gianni Pellegrini\u00a0(Riva del Garda, 1953),\u00a0Diego\u00a0Perrone\u00a0(Asti, 1970),\u00a0Susana Pilar\u00a0(Havana, 1984),\u00a0Alfredo\u00a0Pirri\u00a0(Cosenza, 1957),\u00a0Painter of the 19th century,\u00a0Gio\u2019\u00a0Pomodoro\u00a0(Orciano di Pesaro, 1930 \u2013 Milano, 2002),\u00a0Tal R\u00a0(Tel Aviv, 1967),\u00a0Giuseppe\u00a0Recco\u00a0(Naples, 1634 \u2013 Alicante, 1695),\u00a0Moira Ricci\u00a0(Orbetello, 1977),\u00a0Ottone Rosai\u00a0(Florence, 1895 \u2013 Ivrea, 1957),\u00a0Arcangelo Sassolino\u00a0(Vicenza, 1967),\u00a0Pierluigi Scandiuzzi\u00a0(Padua, 1993),\u00a0Salvatore Scarpitta\u00a0(New York, 1919\u20132007),\u00a0Markus Schinwald\u00a0(Salzburg, 1973),\u00a0Ariel Schlesinger\u00a0(Jerusalem, 1980),\u00a0Jana Schr\u00f6der (Brilon, 1983),\u00a0Sculptor of the 2nd century CE,\u00a0Shimabuku\u00a0(Kobe, 1969),\u00a0Guido Trentini\u00a0(Verona, 1889\u20131975),\u00a0Patrick Tuttofuoco\u00a0(Milan, 1974),\u00a0Giuseppe Uncini\u00a0(Fabriano, 1929 \u2013 Trevi, 2008),\u00a0Michel Verjux\u00a0(Chalon-sur-Sa\u00f4ne, 1956),\u00a0Pieter Vermeersch\u00a0(Kortrijk, 1973),\u00a0Francesco Vezzoli\u00a0(Brescia, 1971),\u00a0Franco Vimercati\u00a0(Milan, 1940\u20132001),\u00a0Marianne Vitale\u00a0(East Rockaway, 1973),\u00a0Luca Vitone\u00a0(Genoa, 1964),\u00a0Akram Zaatari\u00a0(Sidone District, 1966).<\/p>\n<\/div>\n<\/div>\n\n\n\n

Check the Panorama Monferrato<\/em> video out HERE<\/a><\/strong><\/p>\n\n\n\n

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Participating galleries:<\/h3>\n<\/div>\n\n\n\n
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A arte Invernizzi, Galerie Rolando Anselmi, Apalazzogallery, Alfonso Artiaco, Bacarelli, Bottegantica, Botticelli Antichit\u00e0, Galleria Canesso, Car Gallery, Cardi Gallery, Carlo Orsi, Alessandro Cesati, Galleria Continua, Galleria Raffaella Cortese, Thomas Dane Gallery, Monica De Cardenas, Dep Art Gallery, Galleria Tiziana Di Caro, Alessandra Di Castro, Galleria Umberto Di Marino, Galleria Doris Ghetta, Galleria d\u2019Arte Frediano Farsetti, Federica Schiavo Gallery, Galleria Fumagalli, Gagosian, Galleria dello Scudo, Giacometti Old Master Paintings, Gian Marco Casini Gallery, Kaufmann Repetto, Laveronica Arte Contemporanea, Galleria Lia Rumma, Lunetta11, Gi\u00f3 Marconi, Massimodecarlo, Mazzoleni, London-Torino, Francesca Minini, Galleria Massimo Minini, ML Fine Art, Maurizio Nobile Fine Art, Galleria Franco Noero, Osart Gallery, P420, Walter Padovani, Giorgio Persano, Pinksummer, Prometeo Gallery Ida Pisani, Richard Saltoun Gallery, Secci, Sim\u00f3ndi, SpazioA, Studio Sales di Norberto Ruggeri, Studio Gariboldi, Studio Trisorio, T293, Tim Van Laere Gallery, Caterina Tognon Arte Contemporanea, Tornabuoni Arte, Tucci Russo Studio per l\u2019Arte Contemporanea, Victoria Miro Venice, Galleria Carlo Virgilio & C., Vistamare, Zero…<\/p>\n<\/div>\n<\/div>\n\n\n\n

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PANORAMA MONFERRATO
4-8.09.2024<\/h3>\n\n\n\n

A project by Italics<\/strong>
Curate by Carlo Falciani<\/strong><\/p>\n\n\n\n

General Coordination: ArtsFor_<\/strong>
Curatorial Coordination: Veronica Botta<\/strong>
Production Coordination: Sonia Belfiore<\/strong>
Production Team: Rocco Belosi, Federico Castoldi, Maud Greppi, Ilaria Mercurio, Rebecca Morando<\/strong><\/p>\n\n\n\n

Art direction and Graphic Design: Giga Design Studio<\/strong>
Editorial Coordination: Stefania Scarpini, Victoria Weston<\/strong>
VIP Relations: Cristina Raviolo<\/strong>
Press Office: Lara Facco P&C<\/strong>
Social Media: Roberto Bianchi<\/strong>
Photography: Louis De Belle, Cosmo Laera, Giorgio Salimeni<\/strong><\/p>\n\n\n\n

Video: Palma Production<\/strong><\/p>\n<\/div>\n\n\n\n

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In collaboration with the\u00a0Municipalities of: Camagna Monferrato, Castagnole Monferrato, Montemagno Monferrato, Vignale Monferrato<\/strong><\/p>\n\n\n\n

With the support of: Regione Piemonte<\/strong><\/p>\n\n\n\n

With the territorial coordination of:
Alexala – Agenzia Turistica Locale della provincia di Alessandria,<\/strong> Ente Turismo Langhe Monferrato Roero<\/strong><\/p>\n\n\n\n

Main Partner: Belmond<\/strong>
Under the Patronage of: UNESCO, Ministero della cultura, Regione Piemonte<\/strong><\/p>\n\n\n\n

Sponsor: Intesa Sanpaolo<\/strong>
Media Partner: Il Giornale dell’Arte<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Public Program in collaboration with: AAMOD Archivio audiovisivo del movimento operaio e democratico, ANCR Archivio Nazionale Cinematografico della Resistenza, Castello di Rivoli Museo d\u2019Arte Contemporanea, Film Commission Torino Piemonte, Fondazione Accorsi \u2013 Ometto, Fondazione Cesare Pavese, Fondazione Merz, Fondazione Sandretto Re Rebaudengo, Gallerie d\u2019Italia [Torino], GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino, MAO \u2013 Museo d\u2019Arte Orientale, OGR Torino<\/strong><\/p>\n<\/div>\n\n\n\n

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Venue Sponsor: Poste Italiane<\/strong>
Technical Sponsors: Forma Edizioni, New Alarm, Nuova Benese Sponsor tecnici eventi: Orsolina28, Gin Fish<\/strong><\/p>\n\n\n\n

With the special participation of: FAI Piemonte e Valle D\u2019Aosta \u2013 Delegazioni di Alessandria, Asti, Casale Monferrato, Vercelli, Istituto d\u2019Istruzione Superiore Vittorio Alfieri di Asti, Associazione L’Altra Asti, MAC \u2013 Monferrato Arte e Cultura, UTEA Universit\u00e0 delle Tre Et\u00e0 di Asti ed Enoteche Regionali del Piemonte<\/strong><\/p>\n\n\n\n

For information: info@italics.art<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Panorama Monferrato<\/em>
Downloads<\/h2>\n<\/div>\n\n\n\n
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Download the Booklet<\/a><\/strong> with the five-day program of Panorama.<\/p>\n\n\n\n

Discover all the artworks in the Exhibition Guide<\/a><\/strong>.<\/p>\n\n\n\n

Check out the Agenda<\/a><\/strong> for Panorama Monferrato.<\/p>\n\n\n\n

Explore Panorama Off<\/a><\/strong>, places of culture and landscape, exhibitions and events beyond Panorama Monferrato<\/p>\n<\/div>\n<\/div>\n\n\n\n

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A project by<\/strong><\/p>\n\n\n\n

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Public Program in collaboration with<\/strong><\/p>\n\n\n\n

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Events Technical Sponsors<\/strong><\/p>\n\n\n\n

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With the special participation of<\/strong><\/p>\n\n\n\n

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Follow us<\/h3>\n<\/div>\n\n\n\n
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Stay updated on Panorama Monferrato with the ITALICS<\/em> newsletter<\/a><\/p>\n\n\n\n

Follow on Instagram @italics.art<\/a> and the hashtag #PanoramaMonferrato<\/p>\n<\/div>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"

PANORAMA MONFERRATOCamagna,\u00a0Vignale,\u00a0Montemagno\u00a0and\u00a0 Ca …<\/p>\n","protected":false},"author":5,"featured_media":25122,"parent":24961,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-26556","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPanorama Monferrato - Italics<\/title>\n<meta name=\"description\" content=\"Sar\u00e0 il\u00a0Monferrato\u00a0il quarto territorio ad accogliere Panorama, la mostra diffusa e itinerante dedicata con cadenza annuale ad alcune delle localit\u00e0 pi\u00f9 straordinarie del nostro Paese.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/italics.art\/zh-hans\/panorama\/panorama-monferrato\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Panorama Monferrato - 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