Simóndi

Francesca Ferreri, Endless Repairs, 2025, installation view, Simóndi Gallery. Photo: Allemandi Zambotti

From 2023 Simóndi Gallery represents the continuation of the cultural research started by Alberto Peola in 1989 in Turin. From its beginnings, the gallery’s attention has always been focused on young and emerging artists, combining attention to the Italian art scene and dialogue with leading figures on the European and International stage. Alberto Peola was the first in Italy to show the work of Botto&Bruno in 1996, Martin Creed in 1999, Lala Meredith-Vula in 2002, Michael Rakowitz in 2006, Emily Jacir in 2007 and Fatma Bucak in 2010. Always alert to new trends that find personal narrative solutions through the use of various expressive mediums, from photography to painting to videos to installations, the gallery has consistently collaborated with artists who have earned numerous international awards and recognitions and that featured in museums, biennials, and contemporary art events.

Emily Jacir, Not So Long As the Night, 2021, installation view, Peola Simondi Gallery. Photo: Beppe Giardino

In September 2023, after three years of shared management, Francesca Simondi continues the research independently: Peola Simondi Gallery changes its name, becoming Simóndi. The curatorial approach continues to develop its research line aimed at promoting the work of artists who, despite the diversity of geopolitical contexts to which they refer, address themes ranging from environmental issues to the interaction between diverse cultures, from political and social tensions to the reinterpretation of the historical memory of places and communities.

Exhibitions

City Exhibition Date
Torino A melody from the outside, Roberto Casti From 15.05.2026
“First-hand experiences fueled my dreams and passions”

In conversation with Francesca Simondi, Simóndi

How did your journey in art begin?

I still remember with excitement the moment I first saw Guernica, Rothko’s paintings, Abramović’s performances, Bacon’s deformed bodies, or Nan Goldin’s The Ballad of Sexual Dependency. These first-hand experiences fueled my dreams and passions, and it is because of them that I later chose to pursue studies that let me transform these stimuli into my profession. 

Francesca Simondi. Photo: Alberto Giachino
The most unexpected visitor you’ve had in the gallery? The visitor you’d like to have? 

When I was a girl, during my time at university, I came across some articles by Anna Nadotti published in il manifesto. Meeting her in the gallery some 15 years later was a tremendous thrill for me; she is a very cultured woman who I deeply respect and admire. Seeing her appreciation for the exhibitions and artists I work with was extremely gratifying for me. Recently, another visitor was a great surprise: Anna Boghiguian, a wonderful encounter. The visitor I’d like to have? Hans Ulrich Obrist! 

Laura Pugno, Lucia Veronesi, Forse domani, 2025, installation view, Simóndi Gallery
Do you have any unrealised projects?

So many. I’m an indefatigable dreamer and I firmly believe in the power of change: standing still is not my thing, I always have new ideas and projects waiting to be put into play. My journey as a gallery owner has just begun, but knowing me, if I were eighty years old and was asked the same question, my answer would probably be the same! Projects waiting to be realized? A gallery podcast, educational programs to be developed throughout the year, an exhibition format devoted to artists working with ceramics, staged readings in the gallery, and much, much more!  

Are there any social, environmental or educational art-related initiatives you have been involved in recently or which you would like to embark on in the future?

In 2018, I established the Messy Lab Cultural Association, whose aim is to promote the tradition of ceramics by setting up courses and cultural activities at the Torri Superiore Ecovillage (IM). Via this association, I subsequently launched the artist residency program TELL_US, supported by the Compagnia di San Paolo Foundation under the Luoghi della Cultura 2020 (Places of Culture 2020) initiative.

Botto&Bruno, Orizzonte perduto, 2024, installation view, Simóndi Gallery. Photo: Beppe Giardino
Choose a work to take to a desert island.

If I were on a desert island, I would surely miss the people, sounds and landscapes of everyday life. And so, I would bring Janet Cardiff & George Bures Miller’s immersive sound installations and interactive walks, so that I could travel in my mind and wipe out the feeling of solitude. 

Read the full interview

Artists

  • Chiara Baima Poma
  • Botto&Bruno
  • Fatma Bucak
  • Paola De Pietri
  • Francesca Ferreri
  • Eva Frapiccini
  • Emily Jacir
  • Marguerite Kahrl
  • Lala Meredith-Vula
  • Laura Pugno
  • Victoria Stoian
  • Flaminia Veronesi