Why did you choose Rome as the location for your new gallery?

The streets of Rome have the capacity to tell the story of the capital’s vast history. Take Via Giulia, for example, where the gallery is located. The road was designed by Bramante and immediately became one of the main centers of the Renaissance in Rome. A number of palaces and churches were built by the most important architects of that era, such as Raphael and Antonio da Sangallo the Younger. Raphael also designed his own palazzo on this street, and at number 85, you can still read “POSSEDEVA RAF SANZIO NEL MDXX [OWNED BY RAF SANZIO IN 1520]” on the facade. The Farnese Arch that dominates the road from above was designed by Michelangelo. It is also said that Caravaggio was arrested on this street after a dispute over a tennis match. It’s really evocative to walk down this street, or sit on one of the so-called stone sofas on Via Giulia, letting yourself be carried away by the atmosphere and stories this street has to tell. It’s a place that inspires both me and my artists.

Is there anything that distinguishes the two gallery locations?

Like Antwerp, Rome is a battleground for art, and it invites contemporary artists to further dialogues throughout the capital. It’s the ideal city for opening a second office. It’s a space that stimulates our artists in Rome.

What are the selection criteria for the artists you represent?

I’m always looking for artists who distinguish themselves by creating a world of their own. No matter what medium they work with, their voice and way of seeing is clearly present in all their works regardless of the medium. I work with artists who pursue dialogues that cross the eras of art history.

What were your biggest influences in choosing your profession?

Two of my greatest passions in life are art and tennis. They’ve always been part of my life and continue to be my main motivations and inspirations. I learned a lot from tennis. I always trust my instincts and only pursue the things I truly believe in. As an artist you have to make all the decisions yourself and you’re completely responsible for yourself. The fight with a blank canvas is your battle and you can’t ask anyone for help. It’s a process you have to go through on your own. Playing tennis isn’t all that different. It takes a lot of mental strength and confidence. Leo Castelli has been a source of inspiration and working with Franz West for twelve years has taught me a lot about art and what it means to be an artist.

How do you imagine your gallery ten years from now?

The Tim Van Laere Gallery will always be an artists’ gallery, where artists are always the top priority. The gallery will continue to expand with the growth of our artists. I have no doubt that we’re promoting the careers of some of the most influential artists and that in ten years’ time we will have embarked on important new chapters in art history.