PANORAMA GENOVA 
Late June 2027

For the sixth edition of its city-wide exhibition — which since 2021 has brought contemporary art, architecture, landscape and antiquities into dialogue with ever-changing territories and communities — ITALICS will arrive in Genoa in 2027.

In 2027, Panorama arrives in Genoa for its sixth edition, in late June — the first time the city-wide, itinerant exhibition conceived by ITALICS has shifted to early summer. The move reflects a desire to strengthen the project’s international standing, aligning it with the rhythms of the global art calendar and opening it up to wider participation from the public, professionals and industry insiders. It’s a shift that also expands opportunities for dialogue and exchange among the territories, institutions and communities involved. Leading this new chapter will be Arturo Galansino, art historian and director of the Palazzo Strozzi Foundation in Florence. Genoa, a crossroads of the Mediterranean and home to an extraordinarily rich historical and cultural heritage, offers the ideal setting to continue this path of research and experimentation — and an opportunity to look at Liguria as a layered cultural system, where cities, towns and landscapes come together to shape an identity of remarkable depth and character.

Promoted by ITALICS — the network founded in 2020 that today brings together nearly sixty of the most important Italian galleries of ancient, modern and contemporary art — Panorama has already crossed through Procida (2021) and Monopoli (2022) with Vincenzo de Bellis, L’Aquila (2023) with Cristiana Perrella, and Monferrato (2024) with Carlo Falciani, before arriving in Pozzuoli (2025) with Chiara Parisi. Galansino now takes up this baton, continuing the line of research that has defined the project from the start.

As proof of Panorama’s continuity and growth, in autumn 2026 ITALICS will publish a volume with Allemandi dedicated to the first five years of the city-wide exhibition. Through texts, images and critical contributions, the publication will trace the first five editions, documenting their evolution and the dialogue built over time between art, territories and communities — while also offering an overview of ITALICS’ activities since its founding, and accompanying the launch of this new phase of the project.

The artists:

Carlos Amorales (Mexico City, 1970); Yuri Ancarani (Ravenna, 1972); Clarissa Baldassarri (Civitanova Marche, 1994); Oliver Beer (Kent, 1985); Matteo Bottigliero o Bottiglieri (attr.) (Castiglione del Genovesi, 1684 – Naples, 1757); Maurizio Cattelan (Padua, 1960); Viviano Codazzi e Michelangelo Cerquozzi (Bergamo, 1604 – Rome, 1670; Rome, 1602-1660); Gianni Colombo (Milan, 1937 – Melzo, 1993); Fabrizio Corneli (Florence, 1958); Louis Cousin, known as Luigi Primo Gentile (Bruxelles or Breynelden, Belgium, 1606 – Rome, Italy, 1667/1668); Bram Demunter (Kortrijk, 1993); Marie Denis (Bourg-Saint-Andéol, 1972); Simon Dybbroe Møller (Aarhus, 1976); Elmgreen & Dragset (Michael Elmgreen, Copenhagen, 1961; Ingar Dragset, Trondheim, 1969); Simone Fattal (Damascus, 1942); Luca Giordano (Naples, 1634-1705); Kevin Francis Gray (Armagh, 1972); Sang A Han (Seoul, 1987); Helena Hladilová (Kroměříž, 1983); Emilio Isgrò (Barcellona Pozzo di Gotto, 1937); Anish Kapoor (Mumbai, 1954); William Kentridge (Johannesburg, 1955); Jannis Kounellis (Piraeus, 1936 – Rome, 2017); Michael Landy (London, 1963); Goshka Macuga (Warsaw, 1967); Marino Marini (Pistoia, 1901 – Viareggio, 1980); Gino Marotta (Campobasso, 1935 – Rome, 2012); Servane Mary (Dijon, 1972); Mario Merz (Milan, 1925 – Turin, 2003); Rebecca Moccia (Naples, 1992); Walter Moroder (Val Gardena, 1963); Damir Očko (Zagreb, 1977); Celia Paul (Thiruvananthapuram, 1959); Giovanni Peruzzini (Ancona, 1629 – Milan, 1694); Giusy Pirrotta (Reggio Calabria, 1982); Wilfredo Prieto (Sancti Spíritus, 1978); Ugo Rondinone (Brunnen, 1962); Maria Grazia Rosin (Cortina d’Ampezzo, 1958); Sculptor of the 2nd century CE; Felix Shumba (Bulawayo, 1989); Simon Starling (Epsom, 1967); David Tremlett (Dartford, 1945); Sandra Vásquez de la Horra (Viña del Mar, 1967); Jan Vercruysse (Ostenda, 1948 – Bruges, 2018); Lawrence Weiner (New York, 1942-2021).

A arte Invernizzi, Apalazzogallery, Alfonso Artiaco, Botticelli Antichità, Galleria Canesso, Car Gallery, Cardi Gallery, Carlo Orsi, Galleria Continua, Thomas Dane Gallery, Galleria Umberto Di Marino, Galleria Tiziana Di Caro, Galleria Doris Ghetta, Galleria d’Arte Frediano Farsetti, Galleria Fonti, Galleria Fumagalli, Gagosian, Giacometti Old Master Paintings, Gian Marco Casini Gallery, Kaufmann Repetto, Galleria Lia Rumma, Lunetta11, Magazzino, Massimo De Carlo, Mazzoleni London-Torino, Francesca Minini, Galleria Massimo Minini, ML Fine Art, Galleria Franco Noero, Galleria Alberta Pane, Giorgio Persano, Porcini, Richard Saltoun Gallery, Robilant+Voena, Thaddaeus Ropac, Secci, SpazioA, Studio Trisorio, Tim Van Laere Gallery, Caterina Tognon Arte Contemporanea, Tornabuoni Arte, Tucci Russo Studio per l’Arte Contemporanea, Victoria Miro Venice, Vistamare, Zero…

Download the Panorama Genova press release

Take a look at Panorama Pozzuoli‘s Exhibition Guide

Download Panorama Pozzuoli‘s Map with the exhibition venues

Check out the Agenda for Panorama Pozzuoli

Explore Arcipelago Panorama, places of culture and landscape, exhibitions and events beyond Panorama Pozzuoli

Leaf through the Diary of Panorama Pozzuoli

PANORAMA GENOVA
Late June 2027

A project by ITALICS
Curated by Arturo Galansino
General Coordination: ArtsFor_
Strategic Advisory: ArtsFor_, Camilla Invernizzi
Graphic Design: Giga Design Studio
Digital Editor: Austin Sawhill  
Press Office: Lara Facco P&C
Social Media: Roberto Bianchi

With the collaboration and support of: Regione Campania and Scabec, funded via Italy’s Cohesion Funds 21/27
Under the patronage of: UNESCO, Ministero della cultura, City of Pozzuoli
Main partner: Banca Ifis
Sponsors: Jumeirah Capri Palace, Valmont
Venue sponsors: Poste Italiane
Technical sponsors: Forma Edizioni, NM3
Media partner: Il Giornale dell’Arte

For information info@italics.art

In collaboration with: Fondazione Donnaregina per le Arti Contemporanee – museo Madre, Fondazione Morra Greco, Napoli, Museo e Real Bosco di Capodimonte, Archeologico dei Campi Flegrei, Puteoli Sacra

With the special participation of: Aporema, Dispaccio